恩師濟公活佛 慈悲訓示
加州德恩壇 · 2005.08.28 · 一天新民班
20050828CAde1
恩師濟公活佛(濟顛)偕開路先鋒三太子,於加州德恩壇一天新民班同降臨壇,留下這篇通篇以詩承載的訓文。全篇從一個最平常的心情起筆——睹物思量、捫心自問:幸福到底藏在哪裡?恩師不向外給答案,而是指出兩條並行的路。一面要學那天邊的白雲,看破名相、放下執著,任風雨披身而悠遊無礙,揮一揮衣袖,回復本然的真我,在「無我」中自得安詳。一面要學關聖那股凜然正氣,斬釘截鐵,挑起白陽萬八的普渡大業,任「八風」吹拂而正信不離。能放能擔、一收一放,正是修辦者一生要走的路;而全篇語寄「歡喜」,最後正落在「承擔並歡喜」——承擔這樁救世度人的重任,本身就是一種喜悅。
The Holy Teacher — 濟公活佛, the wine-drinking, rule-breaking monk history remembers as “Crazy Ji” — descends jointly with the road-opening vanguard, the boy-general who runs ahead to clear the way, to a one-day class at the De-En Altar in California, and speaks in verse throughout. The teaching opens not with doctrine but with a sigh and an honest question pressed to one’s own chest: where does happiness actually live? Its answer runs along two joined paths. One is the freedom of the drifting cloud — see through names and forms, lay down attachment, let the weather fall on you like a straw cape, and return to the original, natural self, where serenity arrives of its own accord the moment the self stops fighting for itself. The other is the upright resolve of Guan Sheng — a righteous energy brimming full, decisive as cutting iron, shouldering the great work of the White Era and standing unmoved while the eight winds of gain and loss, praise and blame, blow past. To let go and to shoulder, to empty and to carry: these are the two feet of the path. And under the lyric theme of Joy, the whole teaching lands on its keynote — you take up the whole burden, gladly, for the shouldering itself is the joy.
About this editionAI-assisted study edition — the Chinese original is canonical; English is pending our elders’ review.
鎮壇詩 Opening Verse · 〈牽手〉·其一 · sung
修行常從一念感傷起步。看到舊物、某個場景而心生淡淡哀愁,是化用「睹物思人」再放大——不只思念某個人,而是由眼前事物,牽動起對整個人生、對過往經歷的通盤省思。
Cultivation often begins in a single stir of quiet sorrow: an old object or a familiar scene draws up a faint sadness. This broadens the classical gesture of “seeing a thing and thinking of a person” (睹物思人) — not merely missing one person, but letting what lies before your eyes call up a whole reckoning with your life and all you have lived through.
「捫心」是手按胸口;古人以心為良知所在,這一按代表最誠實、最深切的自我反省,與曾子「吾日三省吾身」是同一種精神。要問自己的,正是那句最根本的話:幸福,究竟藏在哪裡?
捫心, “pressing the hand to the chest,” is a bodily gesture: the ancients held the heart to be the seat of conscience, so this touch stands for the most honest, most searching self-examination — the same spirit as Zengzi’s daily threefold self-examination in the Analects. What you press yourself to ask is the most basic question of all: where, after all, does happiness lie hidden?
人生的難處,是親身經歷過才真懂;希望,則是肯付出才生得出來。推動人走上修行這條路的力量,就從這份體認裡萌芽。
The hardness of life is understood only by one who has lived through it; hope is born only in one willing to give. The force that sets a person onto the road of cultivation sprouts from just this recognition.
「法航」是上天以慈悲降下的一艘救渡法船。正因承著這份天恩,又不敢遺忘自己曾許下的承諾,人才甘願擔起修辦。
法航 is a vessel of rescue that Heaven, in its compassion, has sent down. Precisely because one bears this grace of Heaven — and dares not forget the vow one once made — one willingly shoulders the work of cultivation and service.
把手邊雜務放下、交託出去,只為追求一個更大的理想——這寫的是修辦者的內在動力:不是被逼的,而是心甘情願地放下小事,去成就大事。
Setting down the affairs at hand and entrusting them to others, all to pursue a greater ideal: this names the cultivator’s inner motive — not coerced, but willingly laying aside small things in order to accomplish something large.
這條路真正需要兩樣東西:缺了真誠,開創不了新局;少了智慧,闖不過一道道關卡。
This road truly needs two things: without sincerity, you cannot break new ground; without wisdom, you cannot get through one barrier after another.
前路的方向,全在「自覺覺他」四字:先覺悟、解脫自身的煩惱,再進一步發大悲心,助人也同覺。在這自度度人的行持中,藏著取之不盡、用之不竭的功德寶藏——這才是生命真正的價值所在。
The whole bearing of the road ahead lies in four words — 自覺覺他, awaken the self and awaken others: first wake up and free yourself from affliction, then go further and raise a great compassion that helps others wake as well. Within this practice of ferrying yourself while ferrying others is hidden an inexhaustible treasury of merit that can never be spent dry — and this is where the true worth of a life lies.
修這條路不會一帆風順:連說三個「也許」——爭論不斷、偶有阻擋、世事滄桑,最後只輕輕一句「一切盡皆都無妨」,把這些統統看淡。
The road will not be all smooth sailing. Three “perhaps”es are named — endless dispute, an occasional blockage, the vicissitudes of the world — and all are answered with one light phrase, “none of it, in the end, is any hindrance,” holding every one of them lightly.
「法無定法」本《金剛經》的智慧:佛所說的一切法,都像醫生因病開的藥方,隨機應變,並沒有一個固定不變、可以死守的法;萬法既然本來無常,執著便沒有意義。而「菩提」是覺悟的智慧,一旦覺悟,當下就能熄滅心頭的煩惱燥熱,得一份清涼自在——不必等到將來,就在此刻。
“The Dharma has no fixed Dharma” carries the wisdom of the Diamond Sutra: every teaching the Buddha speaks is like a doctor’s prescription matched to an illness, adapted to the moment, with no single fixed, unchanging Dharma to be clutched — and since all things are by nature impermanent, attachment is pointless. Bodhi (菩提) is the wisdom of awakening: the instant one awakens, the heart’s feverish affliction is quenched then and there, and a cool ease is gained — not in some later time, but in this very moment.
「道心」是源於天理的那份道德自覺;儒家十六字心傳言「人心惟危,道心惟微」,修行就是要讓道心作主。而檢驗道心的憑藉,就是「無我」——看破那以自我為中心、恆常獨立的「我」其實是虛妄;一旦真能放下我執,不再事事為己打算,心自然就安詳了。開頭「幸福藏在哪裡」之問,答案就在這無我的安詳裡。
道心, the Dao-heart, is the moral awareness that springs from Heaven’s principle; the Confucian sixteen-character mind-transmission says “the human mind is precarious, the Dao-heart barely perceptible,” and cultivation is precisely to let the Dao-heart govern. What proves out the Dao-heart is 無我, no-self — seeing through the self-centered, permanently standing “I” as an illusion; once ego-attachment is truly let go and one no longer calculates for oneself at every turn, the heart grows serene of its own accord. The opening question — where does happiness lie hidden? — is answered in exactly this no-self serenity.
這一段鎮壇詩,是恩師濟公活佛在正式教誨之前,借〈牽手〉其一先為全班定調的心語——它不從教理的架構起筆,而從人面對人生最真切的一縷感傷落墨:由睹物而思量,牽出一句最根本的追問——幸福,到底藏在哪裡?循著這問,訓文一路走過修辦者的內在動力:難處是經歷過才懂、希望自願意付出而生,而真正推人向上的,是上天慈悲降下的一艘救渡法船,與自己許下、不敢或忘的承諾;正因如此,才甘願放下手邊瑣事、交託他人,只為追求更大的理想。這條路真正要的,是真誠與智慧——缺一則新局難開、關卡難闖;而它的方向,全在「自覺覺他」四字之中,自度而後度人,其間藏著取之不盡的無盡功德。縱使爭論不斷、偶爾阻擋、世事滄桑,一句「一切盡皆都無妨」便輕輕看淡:因為法無定法、萬象本來無常,執著既無意義,覺悟當下即是一份清涼自在,不必等到將來。末了兩句點睛收束——要在紛紜世事中印證自己的道心,靠的正是「無我」;肯放下我執,不再事事為己盤算,安詳自然而生。開篇那個大哉問,至此已有了答案:幸福不在向外的追逐,而在無我的安詳裡。
This opening verse, sung to the borrowed melody “Hand in Hand” and given by the Holy Teacher to settle the altar, sets the keynote for the whole round — and it begins not with doctrine but with a sigh. The sight of ordinary things stirs a quiet sorrow, and rather than rising above it the Teacher presses a hand to his own chest and asks the honest question the entire teaching exists to answer: where does happiness actually live? The verse refuses a pretty answer. Happiness is learned only in the living of it; hope is born in the giving; a heart brimful of turbulence can still hold fast to its conviction and never let go. What finally moves a person upward comes from higher ground — Heaven’s own compassion, launching the vessel of the Way to ferry all beings across, and a vow one dares not forget — so one sets one’s affairs down, hands them to others, and reaches for a greater ideal. The road demands two things, sincerity and wisdom, for without them nothing new can be pioneered and no barrier broken through; and its every bearing lies in one phrase — awakening the self and awakening others — whose giving opens an inexhaustible treasury that never runs dry. Then the verse deflates every excuse: perhaps the disputing never ceases, perhaps the way is blocked, perhaps the world turns through rise and ruin — none of it, in the end, does any harm, because no teaching is a fixed and final thing, all things are impermanent by nature, and awakening in this very moment is already cool and clear. The closing couplet gathers it all: to prove out what the Dao-heart truly is, one relies on no-self — let go of the ego’s constant self-regard, and the serenity you strained toward simply arrives of its own accord. The opening question is answered: happiness lies not in outward pursuit but in the calm of no-self.
吾乃 Self-Introduction · recited
今日臨壇的是兩位:一位是恩師濟顛(濟公活佛)——本是南宋高僧道濟禪師,飲酒食肉、看似瘋癲,實則慈悲濟世、神通廣大,是白陽期地位崇高的一位仙佛;一位是開路先鋒三太子,扮演護法開道、清淨壇場、為恩師開路的角色。祂們奉天命從天上降臨塵世,一進壇門便先參駕行禮,再回頭親切問候心愛的徒兒——威嚴的天命底下,是滿滿的慈愛。
Two figures speak at the altar today: the Holy Teacher, Ji Gong (Ji Dian) — remembered in history as the Southern Song monk Dao Ji, who drank wine and ate meat and seemed mad, yet was truly compassionate in relieving the world and boundless in power, one of the most exalted immortals and buddhas of the White Era — and the road-opening vanguard, the boy-general San Tai Zi, whose role is to guard the teaching, purify the altar, and clear the road ahead for the Teacher. Bearing Heaven’s decree, they descend into the mortal world; on entering the altar they first pay their respects at the throne, then turn to greet their beloved disciples with warmth — beneath the gravity of the heavenly mandate lies abundant tenderness.
鎮壇詩之後,是二位仙佛的自我表明。這一天臨壇的並非一位,而是兩位——你們的恩師濟顛(濟公活佛),與開路先鋒三太子:一位是白陽期慈悲濟世、外顯瘋癲而內蘊神通的恩師,一位是護法開道、為恩師清淨壇場的先鋒。祂們奉老Φ之命,自天降臨這人間塵世,一進壇門便先向老Φ參駕行禮,然後才回身,再一次親切問候心愛的徒兒。這「奉命降凡」的開場,表明所言所訓皆承天命而來、自有神聖的分量;而「愛徒」二字,又見濟公活佛一貫的溫厚——威嚴的天命底下,是滿滿的慈愛。
After the verse settles the altar, the two teachers formally announce themselves. It is not one who has come today but two — your teacher Ji Dian, the Holy Teacher, and the road-opening vanguard, the boy-general who runs ahead of the procession to clear and open the way. Bearing the Eternal Mother’s decree, the Teacher descends into the mortal dust; having entered the gate, he first pays his respects at the Eternal Mother’s throne, and only then turns back to greet his beloved disciples once more. Coming “on the decree” declares that all that follows carries Heaven’s authority and its sacred weight; and calling them his beloved disciples shows the Holy Teacher’s unfailing warmth — beneath the gravity of a heavenly mandate lies nothing but tenderness.
本訓一 First Main Teaching · 〈牽手〉·其二 · sung
人一輩子忙忙碌碌、東奔西跑,所為何來?根源就在「無明」——對人生真相的愚痴無知。正因這份無知,人才不斷造作業力,被因果牽著走,在命運裡身不由己。
A lifetime of rushing and toil — where does it come from? The root is 無明, the deluded, ignorant unknowing of life’s true nature. It is just this ignorance that keeps a person generating karma, pulled along by cause and effect, helpless in the grip of fate.
這化用唐代名相陸象先「天下本無事,庸人擾之為煩耳」,也與禪宗「本來無一物」相通:天下本來太平無事,是非、煩惱、得失,全是人心自己起的妄念;風波不在外頭,在自己心裡。
This reworks the saying of the Tang chancellor Lu Xiangxian — “under heaven there was never anything the matter; it is the mediocre man who stirs himself into vexation” — and chimes with the Chan teaching “originally not a single thing”: the world is fundamentally at peace, and right-and-wrong, affliction, gain-and-loss are all delusions the mind raises for itself. The storm is not outside; it is within your own heart.
人最大的顛倒,就是把虛幻不實的東西當成真實要緊的事,於是一頭栽進去拼命,忙到連頭都不抬一下。
A person’s greatest inversion is to take what is empty and unreal for what is solid and important, then plunge in and drive oneself at it, so busy that one never once lifts one’s head.
天邊的雲,來也自在、去也自在,無牽無掛——這正是人可以學的心境。
The clouds at heaven’s edge come freely and go freely, unattached and unburdened — this is exactly the state of mind a person can learn.
世間萬事都是眾緣和合而生、緣散則滅,該過去的總會過去;所謂得與失,本來就沒有定準,今天的得可能是明天的失。看透了這一層,才放得下。
Everything in the world arises when conditions gather and ceases when conditions scatter; what is meant to pass will always pass. So-called gain and loss never had a fixed measure — today’s gain may be tomorrow’s loss. Only by seeing through this layer can one truly let go.
把心裡的執著放下,才看得透徹,也才體會得到上天那份深厚的恩澤。
Lay down the attachments in your heart, and only then do you see through things clearly — and only then do you feel the deep, generous grace of Heaven.
這兩句最見濟公活佛的本色:任憑風吹雨打,就當是披了一件蓑衣罷了,我依舊悠然自得地遊走,沒有什麼能逼迫我。
These two lines show the Holy Teacher’s true character best: let the wind and rain beat down, and treat it as no more than throwing on a straw cape — I still wander serene and free, with nothing able to press upon me.
不管身在什麼處境都能安然,不被牽纏、不受迷惑,並對自己心念的來去清清楚楚。修行不是把念頭壓死,而是念頭一起,就能清明覺察它、不被它牽著跑——這正是禪門「了了分明」的功夫。
At peace in any circumstance, tangled in nothing and fooled by nothing, and clearly aware of each thought as it comes and goes. Cultivation is not stamping thoughts dead; it is that, the moment a thought arises, you perceive it lucidly and are not dragged along behind it — this is the Chan skill of 了了分明, clear and distinct awareness.
全訓最深的翻轉:原來根本沒有一個「修行」要去刻意持守;之所以要修,只因本性被後天的習氣沾染了,才生出種種毛病。修行不是往外求得什麼,而是把沾染上去的東西洗掉。
The deepest turn of the whole teaching: there is, in fact, no “cultivation” to be deliberately kept up. We cultivate only because the original nature has been stained by acquired habits, which is what breeds all our faults. Cultivation is not gaining something from outside; it is washing off what has been added.
只要能回到那個本來清淨、圓滿、未被污染的真我,又何必再苦苦向外追求什麼真理?真理本自具足,不假外求。
If you can only return to that originally pure, complete, unstained true self, why toil to chase after some “truth” outside yourself? Truth is inherently complete in itself, not to be sought abroad.
世間的名聲、相狀,都只是暫時借用一下、留不長久的東西,怎能反被它綁住、自尋煩惱、招來過咎呢?
The world’s names and forms are only borrowed for a moment and never stay for long — so how could you let them bind you, breed your own affliction, and invite blame upon yourself?
衣袖輕輕一揮,把一切名相牽絆都拂去,就這樣如同天地一般,悠悠然度過歲月。這一揮,揮掉的是執著,留下的是與天地同在的自在。(此處「春秋」指歲月年華,非指經典。)
With a light wave of the sleeve, brush away every tie of name and form, and pass the years serenely, just as heaven and earth do. What this wave sweeps off is attachment; what it leaves behind is the ease of abiding together with heaven and earth. (Here 春秋 means the passing years, not the classic of that name.)
承著鎮壇詩「無我自安詳」的主軸,這第一首本訓借〈牽手〉其二,把「看破、放下、自在」講到淋漓盡致,也讓濟公活佛那份灑脫本色全然流露;它是一段對凡俗苦惱的診斷,更是對治法的親身示範。人一輩子奔波,根源就在「無明」——對真相的愚痴無知,使人不斷造業、被因果牽著走。訓文隨即一針見血:天下本來無事,卻教心自去起風波(化用陸象先之語)——是非、煩惱、得失,全是人心自起的妄念,風波不在外頭,在自己心裡。人最大的顛倒,是誤把虛幻當實務,埋頭苦幹、連頭都不抬;於是恩師指向天邊的雲,來去自在、無牽無掛:因緣起則生、緣散則滅,該過去的總會過去,得失本無定準。看透這一層,就該放下執著、識透,才體會得到上天那份深厚的恩澤。
接著,恩師不只是說自在,更是活給人看:一任風雨披如簑,我自悠遊而無逼迫,所處皆安、無纏無惑,且對每一個念頭的來去清清楚楚——這正是禪門「了了分明」的功夫:不壓死念頭,而是念起即覺、不被牽走。全訓最深的翻轉在此:原來根本無所謂「持修」——之所以要修,只因本性被習氣沾染,才生毛病;修行不是往外求得什麼,而是把沾染洗去,回復那本來清淨圓滿的真我,則真理本自具足,何須外求。名相暫借不留,又豈能反被它繫絆、自招過咎?於是恩師以一個瀟灑的身影收尾:揮一揮衣袖,亦同天地度春秋——揮去的是執著,留下的是與天地同在的悠然自在。
Taking up the verse’s keynote — the serenity that comes of no-self — this first main teaching, sung to “Hand in Hand” (part two), lets the Holy Teacher’s free-roaming spirit fully take over: it is at once a diagnosis of ordinary human misery and a demonstration of its cure. Where does life’s rushing and toil arise? From ignorance, the root unknowing that darkens our clear seeing and lets the churn of fate toy with cause and effect. The pivot is blunt: under heaven there was never anything the matter, yet we let the heart whip up its own wind and waves — the T’ang statesman’s verdict that only the meddling fool manufactures the crisis. The storm is not outside; it is the mind’s own factory. We mistake the empty and passing for the solid and real, and bury ourselves in toil with heads that never lift; so the Teacher raises our eyes to the clouds at heaven’s edge, their coming and going utterly free. What arises by conditions ceases by conditions and will always pass; gain and loss were never solid enough to deserve a name — so lay attachment down, see clean through, and feel how thick Heaven’s grace runs.
Then he shows the freedom rather than merely describing it: letting wind and rain drape him like a straw cape, he roams at ease with nothing pressing on him, at peace wherever he is, entangled in nothing and fooled by nothing, lucidly aware of each thought as it comes and goes — awake to it without being dragged behind it. And he undercuts even cultivation as a thing to hoard: there is no cultivation to be kept; we form faults only because our nature gets stained by habit. The work is not to build up something foreign but to return to the original, natural self — and once returned, why fret over chasing after truth, when truth was complete in us from the start? Names and forms are borrowed for a moment and never truly held, so they cannot bind us unless we invite them to, and bring blame on ourselves. The round closes on a single unmistakable gesture: with one wave of the sleeve, he passes the long years alongside heaven and earth — the sleeve flicks away attachment and leaves the ease of keeping company with the ages.
本訓二 Second Main Teaching · 〈廟會〉·語寄 歡喜 · sung · [overflow `20050828CAde1a`]
這份慈悲的心、救度的大願,不是為了做給誰看、也不是為了誰的回報,只是一心一意,把這份赤誠上達於天。
This heart of compassion and vow of mercy is not to be performed for anyone, nor offered for anyone’s reward; it is single-minded, lifting this pure sincerity all the way up to Heaven.
諸位仙佛神聖降世,為的就是普渡眾生;而這份真心,正如濟顛(濟公活佛)那樣——外相看似不拘,內裡卻是最真摯的慈悲。此處「濟顛」又雙關「濟」字:既是名號,亦取救渡、濟世之意。
The immortals, buddhas, and sages come into the world to ferry the multitude across, and their true heart is just like Ji Dian’s (Ji Gong) — outwardly seeming unrestrained, inwardly the most genuine compassion. Here 濟顛 also puns on 濟: it is at once the proper name and the sense of relieving, rescuing, ferrying across.
「涵養」是儒家的修身功夫,像水源慢慢滋潤土地,把德性一點一滴培養起來;內在涵養夠了,自然會顯現在待人接物的外在言行上。可是當今之世,又有幾人能把這份內在的德性保全不失呢?
涵養 is the Confucian work of self-cultivation — like a water-source slowly moistening the soil, nurturing virtue drop by drop; when the inner cultivation is deep enough, it naturally shows in how one meets people and handles affairs. Yet in an age like the present, how few keep that inner virtue whole and unlost.
功德是一點一滴累積的,本來就沒有現成完備的;唯有肯「捨」,大道才會彰顯。「捨得」二字充滿辯證:能捨下小我、私慾、個人的利益,真正的大道才顯現得出來。
Merit accrues drop by drop; nothing was ever ready-made — only when one is willing to let go does the Great Dao become manifest. The phrase 捨得 (“letting-go / gaining”) is full of dialectic: only by releasing the small self, private desire, and personal interest does the true Great Dao show itself.
時光飛逝、變化無常在後頭追趕,一年到頭,對著皎潔的明月不免興嘆——這是在提醒人:生命有限,無常逼人,修行不能再蹉跎。
Time flies and impermanence gives chase at your heels; year after year, facing the bright clear moon, one cannot help but sigh. This is a reminder: life is finite, impermanence presses close, and cultivation can no longer be squandered.
要效法關聖帝君——那位儒釋道三教共同尊崇的神祇,祂的忠義凜然,足以與天地相配;學祂,就是要讓胸中那股「正氣」時時充沛飽滿。「正氣」源於孟子的「浩然之氣」,經文天祥《正氣歌》發揚,是一種至大至剛、與天地道德合一的精神力量。
Take Guan Sheng Di Jun (Lord Guan) as your model — the deity honored in common by the three teachings of Confucianism, Buddhism, and Daoism — whose stern loyalty and righteousness are grand enough to match heaven and earth; to learn from him is to keep that “upright energy” (正氣) in your breast full and overflowing at all times. 正氣 stems from Mencius’s “flood-like energy” (浩然之氣) and was carried forward by Wen Tianxiang’s “Song of Righteous Spirit” (正氣歌) — a spiritual force supremely great and firm, at one with the moral order of heaven and earth.
繼承前人的道業、為後人開創出路,這份志向遠大,而意志堅定得如同斬釘截鐵,毫不含糊。
To carry on the Dao-work of those before you and open a way for those who come after — this aspiration reaches far, and the will behind it is firm and decisive as cutting nails and slicing iron, without the least ambiguity.
從頭到尾如一,不怕辛勞,只為成就這樁大業。這裡的「萬八」,指白陽時期這一萬零八百年普渡收圓的宏大聖業;修辦者要擔起的,正是這份跨越萬八年的神聖使命。
Consistent from first to last, unafraid of the weariness, all to accomplish this great work. Here 萬八 refers to the vast sacred undertaking of the White Era — the ten thousand eight hundred years of universal salvation and final ingathering; what the cultivator-in-service must shoulder is precisely this sacred mission that spans the myriad years.
「術、流、動、靜」泛指種種修煉的法門與門派,這些外在法門都只是應一時機緣而生,並非永恆的真理;真正一刻都不能離開的,是那份純正的信念。
術, 流, 動, 靜 broadly names the many methods and schools of cultivation; these outward methods all arise to meet the circumstance of a passing moment and are not eternal truth. What truly must never be left behind, not for a single instant, is pure and right faith.
「八風」是佛家所講的八種境界之風:利、衰、毀、譽、稱、譏、苦、樂,四順四逆,最能煽動人心。任憑八風怎麼吹,只要心是真的、定力夠,就經得起考驗、不怕比較。
八風, the “eight winds,” are the eight worldly conditions the Buddhist teaching names — gain, loss, disgrace, honor, praise, blame, suffering, pleasure — four favorable and four adverse, and nothing stirs the human heart more. However the eight winds gust, so long as the heart is true and one’s stillness is firm, one withstands the test and fears no comparison.
待人要寬厚、能體諒,處事圓融,這樣才契合自己純善的本性與天地的真理(性理);不逞強、不計較、不斤斤於得失。
Meet others with breadth and forbearance, and handle affairs with grace and accord — only thus do you fall into tune with your own purely good nature and the truth of heaven and earth (性理); do not force, do not contend, do not keep score over gain and loss.
「了了分明」是禪門的清明覺照:對內,自己每一個念頭的起滅善惡都清清楚楚;對外,對世事真相如實了知、不被假象所迷。做到這份清明,還要能「承擔並歡喜」——不是勉強、苦著臉去挑重擔,而是心甘情願、歡歡喜喜地承擔起這份救世度人的責任。這正呼應了「語寄歡喜」的旨意:承擔本身,就是一種喜悅。
了了分明 is the Chan clarity of lucid awareness: inwardly, the rise and fall and the good or ill of your every thought are perfectly clear; outwardly, you know the truth of worldly affairs as it is and are not deceived by false appearances. Having reached this clarity, one must further be able to “shoulder it, and rejoice” — not grudgingly, not taking up the burden with a bitter face, but willingly and gladly shouldering this responsibility of saving and delivering others. This is exactly the point of the lyric-theme “Joy” (語寄歡喜): the shouldering itself is a joy.
若說第一首本訓是「放下」的一面——看破、灑脫、無所罣礙,那麼這第二首(借〈廟會〉,語寄「歡喜」)展現的便是「承擔」的另一面:剛正、堅毅、勇於任事;一收一放,正是修道的兩隻腳。這份慈心悲愿不為做給誰看、也不圖回報,只一意上表蒼天;諸位仙佛神聖降世,為的就是普渡眾生,而這份真心,正如濟顛(濟公活佛)那樣——外相看似不拘,內裡卻是最摯的慈悲。「涵養內在,外物自現」是儒家的修身功夫,像水源慢慢滋潤土地,內德涵養夠了,自然顯於待人接物;只是當今之世,能保全此內德不失者又有幾人?功德是一點一滴累積的,本無現成,唯有肯「捨」,大道才會彰顯——有捨才有得。而光陰扭轉、無常在後追趕,窮年對著皓月興嘆,正提醒人:生命有限,修行不可再蹉跎。
於是這一首舉出兩位典範來策勵人心。其一是關聖:效法那位三教共尊、忠義足配天地的神祇,讓胸中那股「正氣」時時充沛——此正氣源於孟子的浩然之氣,經文天祥《正氣歌》發揚,是一種至大至剛、與天地道德合一的精神力量。其二是承先啟後的擔當:繼往開來、志向遠大,意志堅定如斬釘截鐵,始終如一、不怕辛勞,只為成就「萬八」之業——白陽時期這一萬零八百年普渡收圓的宏大聖業。末了,訓文回到最實在的修心功夫:術、流、動、靜種種法門,都只是應一時機緣而生的方便,唯有純正的信念一刻不能離;任八風(利衰毀譽稱譏苦樂)怎麼吹,只要心真、定力夠,就經得起考驗;待人要寬諒圓融、合於自己純善的性理,不逞強、不計較。全訓收於「了了分明,承擔並歡喜」——內外皆清明覺照之餘,更要心甘情願、歡歡喜喜地挑起救世度人的擔子,正呼應「語寄歡喜」的旨意:承擔本身,就是一種喜悅。兩首本訓合看,恩師與開路先鋒留下的是一套完整的修道心法——一面學那天邊白雲、揮一揮衣袖,放下名相執著、回復本然而得無我的安詳;一面學那凜然正氣、斬釘截鐵,挑起萬八普渡的擔子,在八風吹拂中不動不移,歡歡喜喜地承擔到底。能放能擔、能空能有,這一收一放之間,便是修行者一生要走的路。
This second main teaching, sung to the melody “Temple Fair” under the lyric theme of Joy, lifts from personal liberation to the vow that turns liberation into service: where the first round was the face of letting go — seeing through, unbound, free of care — this is the face of shouldering, upright and steadfast and unafraid to take the work on. One collecting, one releasing, they are the two feet of the Way. A heart of compassion and a vow of mercy, held for no one in particular because it is offered to everyone, is declared with single mind to the blue of Heaven; the immortals, buddhas, and sages come to ferry the many across, and their true heart works just as Ji Dian’s does — unbound in outward manner, most sincere in compassion within. Cultivate and nourish what lies within — the quiet, patient work of tending the inner nature, water soaking slowly into soil — and it will show in all one does outwardly; yet in times like these, how few keep that inner good intact? Merit accrues bit by bit and comes ready-made to no one; only in the willingness to let go does the Great Dao show itself, the getting folded inside the giving-up. And with time twisting away and impermanence at one’s heels, one sighs out one’s years beneath the bright moon — a reminder that life is finite and cultivation must not be squandered.
The round then holds up two exemplars. Emulate Guan Sheng, revered across every tradition for loyalty and righteousness, whose worth answers to heaven and earth itself — so that the righteous energy in one’s own breast stays forever brimming full; that energy is Mencius’s vast, flood-like moral force, built up slowly by acting rightly until it fills the space between heaven and earth, later the very breath of Wen Tianxiang’s Song of Righteous Energy. And carry on the past to open the future with a resolve that reaches far and cuts nails and slices iron, steady from first to last and unafraid of weariness, to accomplish the great work of the White Era — this age-long undertaking of universal deliverance across its ten thousand and eight hundred years. At the last it returns to the plainest work of the heart: techniques and schools, motion and stillness are all expedients of a passing moment, but right faith must never depart, not even for an instant; let the eight winds — gain and loss, praise and blame, fame and disgrace, pleasure and pain — blow and gust as they will, and a heart that is true has nothing to fear from the testing; meet others with breadth, forbearance, and harmonious accord, in tune with your own good nature, neither showing off nor keeping score. And having walked the seeker from a hand pressed to a sorrowful chest all the way to a heart the eight winds cannot budge, the teaching lands on its keynote in three words — clearly and lucidly aware, shouldering it all, and rejoicing. Beyond the clarity that sees each thought and each outward truth as it is, one is asked to take up the whole burden of saving and ferrying others not grimly but gladly and willingly — exactly the sense of the lyric theme of Joy: the shouldering is itself a kind of gladness. Read together, the two rounds are one complete method — on one side, the white cloud and the waving sleeve, releasing name and form to recover the natural self and find the serenity of no-self; on the other, the upright righteous energy, taking up the era-long burden and standing unmoved amid the eight winds, glad to the very end. To be able both to release and to shoulder, to be empty and to be full — this turning between letting go and responsibility is the road a cultivator walks a whole life.